My first and only Bond film — high-paced, explosive, and packed with set-piece effects. I worked with stunt legend Vic Armstrong again, always a pleasure. I was part of the team on the hovercraft chase sequence through the Korean DMZ, which was a wild mix of fire, water, pop up mines, mud, and stunts. We also blew up a line of very expensive cars in the villain’s compound — as dramatic as it sounds.